{"version":"1.0","provider_name":"exPosition","provider_url":"https:\/\/www.revue-exposition.com","author_name":"exPosition","author_url":"https:\/\/www.revue-exposition.com\/index.php\/author\/helcar","title":"12 \/ 2026 - Genre et sexualit\u00e9 dans les expositions des collections mus\u00e9ales - Varia - exPosition","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"R4o4gXSPZq\"><a href=\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-12\/2026\/%20\">12 \/ 2026 &#8211; Genre et sexualit\u00e9 dans les expositions des collections mus\u00e9ales &#8211; Varia<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-12\/2026\/%20\/embed#?secret=R4o4gXSPZq\" width=\"600\" height=\"338\" title=\"\u00ab\u00a012 \/ 2026 &#8211; Genre et sexualit\u00e9 dans les expositions des collections mus\u00e9ales &#8211; Varia\u00a0\u00bb &#8212; exPosition\" data-secret=\"R4o4gXSPZq\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revue-exposition.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"&nbsp; Genre et sexualit\u00e9 dans les expositions des collections mus\u00e9ales Ce num\u00e9ro de la revue exPosition est produit en collaboration avec le Groupe de recherche et de r\u00e9flexion CI\u00c9CO, dans le cadre du\u00a0Partenariat \u00ab\u00a0Des nouveaux usages des collections dans les mus\u00e9es d\u2019art\u00a0\u00bb\u00a0(CRSH 2021-2028). Il est dirig\u00e9 par Quentin Petit Dit Duhal, qui a b\u00e9n\u00e9fici\u00e9 d\u2019un &hellip; Continuer la lecture de &laquo;&nbsp;&nbsp;&raquo;"}