{"id":1199,"date":"2018-06-19T08:50:18","date_gmt":"2018-06-19T07:50:18","guid":{"rendered":"http:\/\/www.revue-exposition.com\/?p=1199"},"modified":"2022-12-12T13:49:13","modified_gmt":"2022-12-12T12:49:13","slug":"2018","status":"publish","type":"post","link":"https:\/\/www.revue-exposition.com\/index.php\/sommaire-4\/2018\/%20","title":{"rendered":"4\/2018 – Varia"},"content":{"rendered":"

Num\u00e9ro dirig\u00e9 par Sylvain Demarthe<\/p>\n

 <\/p>\n

Articles<\/strong><\/p>\n

\u2013 Camille Chevallier, La librairie-galerie La Hune (1944-1975)\u00a0: un espace de monstration privil\u00e9gi\u00e9 pour l\u2019art de l\u2019estampe<\/a><\/p>\n

\u2013 Sophie Ducret, Exposer des peintures murales m\u00e9di\u00e9vales : l\u2019exemple du parcours d\u2019art roman du Museu Nacional d\u2019Art de Catalunya (Barcelone)<\/a><\/p>\n

\u2013 Julie Lageyre,\u00a0S\u2019exposer \u00e0 l\u2019\u00e9tranger. La peinture anglaise contemporaine au sein de la saison artistique parisienne de 1938<\/a><\/p>\n

Entretien<\/strong><\/p>\n

\u2013 H\u00e9l\u00e8ne Trespeuch, Entretien avec Stanislas Colodiet, \u00c0 propos de l’exposition Picasso, donner \u00e0 voir<\/em> (Mus\u00e9e Fabre, Montpellier, 2018)<\/a><\/p>\n

Compte-rendu de lecture
\n<\/strong><\/p>\n

\u2013 Paule Gioffredi, Programmation, diffusion et r\u00e9ception de la danse aux Expositions de Paris<\/a>
\nCompte-rendu de lecture de : Claudia Palazzollo, Mise en sc\u00e8ne de la danse aux Expositions de Paris \u2013 1887-1937. Une fabrique du regard, <\/em>L\u2019\u0153il d\u2019or, Paris, 2017<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Num\u00e9ro dirig\u00e9 par Sylvain Demarthe   Articles \u2013 Camille Chevallier, La librairie-galerie La Hune (1944-1975)\u00a0: un espace de monstration privil\u00e9gi\u00e9 pour l\u2019art de l\u2019estampe \u2013 Sophie Ducret, Exposer des peintures murales m\u00e9di\u00e9vales : l\u2019exemple du parcours d\u2019art roman du Museu Nacional d\u2019Art de Catalunya (Barcelone) \u2013 Julie Lageyre,\u00a0S\u2019exposer \u00e0 l\u2019\u00e9tranger. La peinture anglaise contemporaine au … Continuer la lecture de « 4\/2018 – Varia »<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[153],"tags":[33,77],"class_list":["post-1199","post","type-post","status-publish","format-standard","hentry","category-sommaire-4","tag-exposition","tag-revue-exposition"],"yoast_head":"\n4\/2018 - Varia - exPosition<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-4\/2018\/%20\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"4\/2018 - Varia - exPosition\" \/>\n<meta property=\"og:description\" content=\"Num\u00e9ro dirig\u00e9 par Sylvain Demarthe   Articles \u2013 Camille Chevallier, La librairie-galerie La Hune (1944-1975)\u00a0: un espace de monstration privil\u00e9gi\u00e9 pour l\u2019art de l\u2019estampe \u2013 Sophie Ducret, Exposer des peintures murales m\u00e9di\u00e9vales : l\u2019exemple du parcours d\u2019art roman du Museu Nacional d\u2019Art de Catalunya (Barcelone) \u2013 Julie Lageyre,\u00a0S\u2019exposer \u00e0 l\u2019\u00e9tranger. 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