{"id":136,"date":"2016-05-10T08:52:36","date_gmt":"2016-05-10T07:52:36","guid":{"rendered":"http:\/\/revueexpne.cluster003.ovh.net\/?p=136"},"modified":"2022-12-12T13:48:03","modified_gmt":"2022-12-12T12:48:03","slug":"2016-2","status":"publish","type":"post","link":"https:\/\/www.revue-exposition.com\/index.php\/sommaire-2\/2016-2\/%20","title":{"rendered":"2\/2016 &#8211; Exposer les images en mouvement &#8211; Varia"},"content":{"rendered":"<p><strong>Introduction<\/strong><\/p>\n<p style=\"text-align: justify;\">\u2013 Caroline Tron-Carroz, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/2016\/06\/21\/tron-carroz-penser-exposition-images-en-mouvement\/\">Penser l&rsquo;exposition des images en mouvement<\/a><\/p>\n<p><strong>Exposer les images en mouvement (dossier dirig\u00e9 par Caroline Tron-Carroz)<\/strong><\/p>\n<p style=\"text-align: justify;\">\u2013 Fleur Chevalier,\u00a0<a href=\"https:\/\/www.revue-exposition.com\/index.php\/2016\/05\/17\/chevalier-film-experimental-mouvement-des-images-dynamo\/\">Le film exp\u00e9rimental \u00e0 l\u2019\u00e9preuve des cimaises\u00a0: \u00e9tude de cas tir\u00e9s de l\u2019accrochage <em>Le mouvement des images<\/em> (Centre Pompidou, Paris, 2006-2007) et de l\u2019exposition <em>Dynamo<\/em> (Grand Palais, Paris, 2013)<\/a><\/p>\n<p style=\"text-align: justify;\">\u2013 Tiphaine Larroque,\u00a0<a href=\"https:\/\/www.revue-exposition.com\/index.php\/2016\/05\/18\/larroque-exposition-entrevoir-robert-cahen-musee-art-moderne-et-contemporain-strasbourg-2014\/\">D\u00e9mat\u00e9rialisation et mat\u00e9rialisation des images en mouvement au sein d\u2019un parcours discursif\u00a0: l\u2019exposition <em>Entrevoir,\u00a0Robert Cahen<\/em> (mus\u00e9e d\u2019Art moderne et contemporain de Strasbourg, 2014)<\/a><\/p>\n<p style=\"text-align: justify;\">\u2013 Micka\u00ebl Pierson,\u00a0<a href=\"https:\/\/www.revue-exposition.com\/index.php\/2016\/06\/01\/pierson-format-seance-exposition-image-en-mouvement\/\">Le format de la s\u00e9ance appliqu\u00e9 \u00e0 l\u2019exposition de l\u2019image en mouvement<\/a><\/p>\n<p style=\"text-align: justify;\">\u2013 Caroline Tron-Carroz, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/2016\/05\/20\/tron-carroz-exposition-video-vintage-centre-pompidou-paris-2012\/\">L\u2019exposition <em>Vid\u00e9o Vintage<\/em>\u00a0(Centre Pompidou, Paris, 2012) : un parti pris sc\u00e9nographique au d\u00e9triment des vid\u00e9os<\/a><\/p>\n<p><strong>Varia<\/strong><\/p>\n<p style=\"text-align: justify;\">\u2013 Armelle F\u00e9melat, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/2016\/05\/09\/femelat-scenographie-printemps-renaissance-musee-louvre-2013-2014\/\">Clart\u00e9, sobri\u00e9t\u00e9 et \u00e9l\u00e9gance : le parti pris architectural r\u00e9ussi de la sc\u00e9nographie du\u00a0<em>Printemps de la Renaissance<\/em> (mus\u00e9e du Louvre, Paris, 2013-2014)<\/a><\/p>\n<p style=\"text-align: justify;\">&#8211; Delphine Miel, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles2\/miel-exposer-moulages-exposition-angkor-naissance-mythe-musee-guimet-2013-2014\/%20\">Exposer des moulages :\u00a0le cas de l&rsquo;exposition <em>Angkor, la naissance d&rsquo;un mythe<\/em> (mus\u00e9e Guimet, Paris, 2013-2014)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Introduction \u2013 Caroline Tron-Carroz, Penser l&rsquo;exposition des images en mouvement Exposer les images en mouvement (dossier dirig\u00e9 par Caroline Tron-Carroz) \u2013 Fleur Chevalier,\u00a0Le film exp\u00e9rimental \u00e0 l\u2019\u00e9preuve des cimaises\u00a0: \u00e9tude de cas tir\u00e9s de l\u2019accrochage Le mouvement des images (Centre Pompidou, Paris, 2006-2007) et de l\u2019exposition Dynamo (Grand Palais, Paris, 2013) \u2013 Tiphaine Larroque,\u00a0D\u00e9mat\u00e9rialisation et &hellip; <a href=\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-2\/2016-2\/%20\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;2\/2016 &#8211; Exposer les images en mouvement &#8211; Varia&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[20],"tags":[33,29,77],"class_list":["post-136","post","type-post","status-publish","format-standard","hentry","category-sommaire-2","tag-exposition","tag-images-en-mouvement","tag-revue-exposition"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>2\/2016 - Exposer les images en mouvement - Varia - exPosition<\/title>\n<meta name=\"description\" content=\"Sommaire du n\u00b0 2 de la revue exPosition \u2013 publi\u00e9 en 2016.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-2\/2016-2\/%20\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2\/2016 - Exposer les images en mouvement - Varia - exPosition\" \/>\n<meta property=\"og:description\" content=\"Sommaire du n\u00b0 2 de la revue exPosition \u2013 publi\u00e9 en 2016.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-2\/2016-2\/ \" \/>\n<meta property=\"og:site_name\" content=\"exPosition\" \/>\n<meta property=\"article:published_time\" content=\"2016-05-10T07:52:36+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-12-12T12:48:03+00:00\" \/>\n<meta name=\"author\" content=\"exPosition\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"exPosition\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-2\/2016-2\/%20#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-2\/2016-2\/%20\"},\"author\":{\"name\":\"exPosition\",\"@id\":\"https:\/\/www.revue-exposition.com\/#\/schema\/person\/8fafe6c191f1653d02ba2e39934a0ad5\"},\"headline\":\"2\/2016 &#8211; 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