{"id":1446,"date":"2019-09-03T09:07:42","date_gmt":"2019-09-03T08:07:42","guid":{"rendered":"http:\/\/www.revue-exposition.com\/?p=1446"},"modified":"2022-12-12T13:49:39","modified_gmt":"2022-12-12T12:49:39","slug":"2019","status":"publish","type":"post","link":"https:\/\/www.revue-exposition.com\/index.php\/sommaire-5\/2019\/%20","title":{"rendered":"5\/2019 – Ce que la censure fait \u00e0 l\u2019exposition – Varia"},"content":{"rendered":"

 <\/p>\n

Ce que la censure fait \u00e0 l\u2019exposition : strat\u00e9gies de monstration, contournements et nouvelles donnes (dossier dirig\u00e9 par Marion Duquerroy)
\n<\/strong><\/p>\n

\u2013 Benjamin Bianciotto, Christoph B\u00fcchel\u00a0: de la n\u00e9cessit\u00e9 de l\u2019art, censure et anticipation<\/a><\/p>\n

\u2013 Alice Cazaux, La censure expos\u00e9e. Un art contemporain russe sur le fil de la (d\u00e9)monstration<\/a><\/p>\n

\u2013 Ariane Lemieux, Le geste de censure comme intervention artistique. Le d\u00e9crochage d’Hylas et les Nymphes<\/em> par Sonia Boyce<\/a><\/p>\n

\u2013 Camille Prunet, Le mus\u00e9e augment\u00e9 des r\u00e9seaux sociaux\u00a0: de nouveaux modes d\u2019exposition et de censure\u00a0?<\/a><\/p>\n

 <\/p>\n

Varia<\/strong><\/p>\n

\u2013 Juliette Milbach, Exposer la r\u00e9volution russe : simplification(s) et r\u00e9ussite(s) d\u2019une mise en sc\u00e8ne artistique de 1917<\/a><\/p>\n

\n","protected":false},"excerpt":{"rendered":"

  Ce que la censure fait \u00e0 l\u2019exposition : strat\u00e9gies de monstration, contournements et nouvelles donnes (dossier dirig\u00e9 par Marion Duquerroy) \u2013 Benjamin Bianciotto, Christoph B\u00fcchel\u00a0: de la n\u00e9cessit\u00e9 de l\u2019art, censure et anticipation \u2013 Alice Cazaux, La censure expos\u00e9e. Un art contemporain russe sur le fil de la (d\u00e9)monstration \u2013 Ariane Lemieux, Le geste … Continuer la lecture de « 5\/2019 – Ce que la censure fait \u00e0 l\u2019exposition – Varia »<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[167],"tags":[48,188,33,77],"class_list":["post-1446","post","type-post","status-publish","format-standard","hentry","category-sommaire-5","tag-art-contemporain","tag-censure","tag-exposition","tag-revue-exposition"],"yoast_head":"\n5\/2019 - 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