{"id":2011,"date":"2021-09-20T19:13:46","date_gmt":"2021-09-20T18:13:46","guid":{"rendered":"https:\/\/www.revue-exposition.com\/?p=2011"},"modified":"2021-10-30T11:16:33","modified_gmt":"2021-10-30T10:16:33","slug":"2021-2","status":"publish","type":"post","link":"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20","title":{"rendered":"6-2 \/2021 – Doublement expos\u00e9e – Varia"},"content":{"rendered":"

Introduction<\/strong><\/p>\n

– Christine Bernier, Th\u00e9ories et pratiques de l\u2019exposition\u00a0: relire Double Exposures<\/em>\u00a0de Mieke Bal<\/a><\/p>\n

Doublement expos\u00e9e (dossier dirig\u00e9 par Christine Bernier)<\/strong><\/p>\n

– Mieke Bal, Entretien avec Itay Sapir<\/a><\/p>\n

– Quentin Petit Dit Duhal, Exposer ORLAN ou donner \u00e0 voir le corps hybride. \u00c9tude d\u2019une expographie num\u00e9rique et interactive<\/a><\/p>\n

– M\u00e9lina Ramondenc, Ce que l\u2019exposition fait \u00e0 l\u2019architecture. Le cas de la collection de projets d\u2019architectes prospectifs du Frac Centre-Val de Loire<\/a><\/p>\n

– Nadya Rouizem Labied, Des architectures de terre <\/i>: itin\u00e9rance et valeur d\u00e9monstrative d\u2019une exposition<\/a><\/p>\n

– Ga\u00eblle Crenn, L\u2019itin\u00e9rance comme m\u00e9diation. Le cas de l\u2019exposition Amazonie, le chamane et la pens\u00e9e de la for\u00eat<\/i> (mus\u00e9e d\u2019Ethnographie de Gen\u00e8ve, 2016 ; mus\u00e9e de Pointe-\u00e0-Calli\u00e8re, Montr\u00e9al, 2017)<\/a><\/p>\n

– Jeanne Artous,\u00a0 Sculpture originale et reproduction tactile. Retour sur l\u2019exposition itin\u00e9rante L\u2019art et la mati\u00e8re : pri\u00e8re de toucher<\/i><\/a><\/p>\n

– Ariane No\u00ebl de Tilly, Sans titre (les ripostes de Klaus Scher\u00fcbel)\u00a0<\/b><\/a><\/p>\n

– Micka\u00ebl Pierson, Pierre Huyghe : l\u2019exposition qui n\u2019existait pas<\/a><\/p>\n

– Julie Graff, Double regard sur l\u2019art inuit. L\u2019exposition de l\u2019art inuit au Mus\u00e9e des Beaux-arts de Montr\u00e9al au prisme des transferts \u00e9pist\u00e9mologiques<\/a><\/p>\n

Varia<\/strong><\/p>\n

– William Trouv\u00e9, (D\u00e9)construire l\u2019image du Wisigoth. L\u2019exposition Wisigoths. Rois de Toulouse<\/i> (mus\u00e9e Saint-Raymond, mus\u00e9e d’Arch\u00e9ologie de Toulouse, 2020)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Introduction – Christine Bernier, Th\u00e9ories et pratiques de l\u2019exposition\u00a0: relire Double Exposures\u00a0de Mieke Bal Doublement expos\u00e9e (dossier dirig\u00e9 par Christine Bernier) – Mieke Bal, Entretien avec Itay Sapir – Quentin Petit Dit Duhal, Exposer ORLAN ou donner \u00e0 voir le corps hybride. \u00c9tude d\u2019une expographie num\u00e9rique et interactive – M\u00e9lina Ramondenc, Ce que l\u2019exposition fait … Continuer la lecture de « 6-2 \/2021 – Doublement expos\u00e9e – Varia »<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[274],"tags":[212,33,77,211],"class_list":["post-2011","post","type-post","status-publish","format-standard","hentry","category-sommaire-6-2","tag-doublement-exposee","tag-exposition","tag-revue-exposition","tag-sommaire"],"yoast_head":"\n6-2 \/2021 - Doublement expos\u00e9e - Varia - exPosition<\/title>\n<meta name=\"description\" content=\"Sommaire du n\u00b0 6-2 de la revue exPosition : "Doublement expos\u00e9e \/ Varia"\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"6-2 \/2021 - Doublement expos\u00e9e - Varia - exPosition\" \/>\n<meta property=\"og:description\" content=\"Sommaire du n\u00b0 6-2 de la revue exPosition : "Doublement expos\u00e9e \/ Varia"\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/ \" \/>\n<meta property=\"og:site_name\" content=\"exPosition\" \/>\n<meta property=\"article:published_time\" content=\"2021-09-20T18:13:46+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-10-30T10:16:33+00:00\" \/>\n<meta name=\"author\" content=\"exPosition\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"exPosition\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20\"},\"author\":{\"name\":\"exPosition\",\"@id\":\"https:\/\/www.revue-exposition.com\/#\/schema\/person\/8fafe6c191f1653d02ba2e39934a0ad5\"},\"headline\":\"6-2 \/2021 – Doublement expos\u00e9e – Varia\",\"datePublished\":\"2021-09-20T18:13:46+00:00\",\"dateModified\":\"2021-10-30T10:16:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20\"},\"wordCount\":248,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.revue-exposition.com\/#organization\"},\"keywords\":[\"doublement expos\u00e9e\",\"exposition\",\"revue-exposition\",\"sommaire\"],\"articleSection\":[\"Sommaire 6-2\/2021\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20\",\"url\":\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20\",\"name\":\"6-2 \/2021 - Doublement expos\u00e9e - Varia - exPosition\",\"isPartOf\":{\"@id\":\"https:\/\/www.revue-exposition.com\/#website\"},\"datePublished\":\"2021-09-20T18:13:46+00:00\",\"dateModified\":\"2021-10-30T10:16:33+00:00\",\"description\":\"Sommaire du n\u00b0 6-2 de la revue exPosition : \\\"Doublement expos\u00e9e \/ Varia\\\"\",\"breadcrumb\":{\"@id\":\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/www.revue-exposition.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sommaire 6-2\/2021\",\"item\":\"https:\/\/www.revue-exposition.com\/index.php\/category\/sommaire-6-2\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"6-2 \/2021 – Doublement expos\u00e9e – Varia\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.revue-exposition.com\/#website\",\"url\":\"https:\/\/www.revue-exposition.com\/\",\"name\":\"exPosition\",\"description\":\"Revue d'analyse des enjeux propres \u00e0 l'exposition des \u0153uvres et objets d'art\",\"publisher\":{\"@id\":\"https:\/\/www.revue-exposition.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.revue-exposition.com\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.revue-exposition.com\/#organization\",\"name\":\"exPosition\",\"url\":\"https:\/\/www.revue-exposition.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/www.revue-exposition.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/i2.wp.com\/www.revue-exposition.com\/wp-content\/uploads\/2016\/06\/cropped-logo-rond-noir.jpg?fit=512%2C512\",\"contentUrl\":\"https:\/\/i2.wp.com\/www.revue-exposition.com\/wp-content\/uploads\/2016\/06\/cropped-logo-rond-noir.jpg?fit=512%2C512\",\"width\":512,\"height\":512,\"caption\":\"exPosition\"},\"image\":{\"@id\":\"https:\/\/www.revue-exposition.com\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.revue-exposition.com\/#\/schema\/person\/8fafe6c191f1653d02ba2e39934a0ad5\",\"name\":\"exPosition\",\"url\":\"https:\/\/www.revue-exposition.com\/index.php\/author\/helcar\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"6-2 \/2021 - Doublement expos\u00e9e - Varia - exPosition","description":"Sommaire du n\u00b0 6-2 de la revue exPosition : \"Doublement expos\u00e9e \/ Varia\"","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/ ","og_locale":"fr_FR","og_type":"article","og_title":"6-2 \/2021 - Doublement expos\u00e9e - Varia - exPosition","og_description":"Sommaire du n\u00b0 6-2 de la revue exPosition : \"Doublement expos\u00e9e \/ Varia\"","og_url":"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/ ","og_site_name":"exPosition","article_published_time":"2021-09-20T18:13:46+00:00","article_modified_time":"2021-10-30T10:16:33+00:00","author":"exPosition","twitter_card":"summary_large_image","twitter_misc":{"\u00c9crit par":"exPosition","Dur\u00e9e de lecture estim\u00e9e":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20#article","isPartOf":{"@id":"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20"},"author":{"name":"exPosition","@id":"https:\/\/www.revue-exposition.com\/#\/schema\/person\/8fafe6c191f1653d02ba2e39934a0ad5"},"headline":"6-2 \/2021 – Doublement expos\u00e9e – Varia","datePublished":"2021-09-20T18:13:46+00:00","dateModified":"2021-10-30T10:16:33+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20"},"wordCount":248,"commentCount":0,"publisher":{"@id":"https:\/\/www.revue-exposition.com\/#organization"},"keywords":["doublement expos\u00e9e","exposition","revue-exposition","sommaire"],"articleSection":["Sommaire 6-2\/2021"],"inLanguage":"fr-FR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20","url":"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20","name":"6-2 \/2021 - Doublement expos\u00e9e - Varia - exPosition","isPartOf":{"@id":"https:\/\/www.revue-exposition.com\/#website"},"datePublished":"2021-09-20T18:13:46+00:00","dateModified":"2021-10-30T10:16:33+00:00","description":"Sommaire du n\u00b0 6-2 de la revue exPosition : \"Doublement expos\u00e9e \/ Varia\"","breadcrumb":{"@id":"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.revue-exposition.com\/index.php\/sommaire-6-2\/2021-2\/%20#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.revue-exposition.com\/"},{"@type":"ListItem","position":2,"name":"Sommaire 6-2\/2021","item":"https:\/\/www.revue-exposition.com\/index.php\/category\/sommaire-6-2"},{"@type":"ListItem","position":3,"name":"6-2 \/2021 – Doublement expos\u00e9e – Varia"}]},{"@type":"WebSite","@id":"https:\/\/www.revue-exposition.com\/#website","url":"https:\/\/www.revue-exposition.com\/","name":"exPosition","description":"Revue d'analyse des enjeux propres \u00e0 l'exposition des \u0153uvres et objets d'art","publisher":{"@id":"https:\/\/www.revue-exposition.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revue-exposition.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/www.revue-exposition.com\/#organization","name":"exPosition","url":"https:\/\/www.revue-exposition.com\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/www.revue-exposition.com\/#\/schema\/logo\/image\/","url":"https:\/\/i2.wp.com\/www.revue-exposition.com\/wp-content\/uploads\/2016\/06\/cropped-logo-rond-noir.jpg?fit=512%2C512","contentUrl":"https:\/\/i2.wp.com\/www.revue-exposition.com\/wp-content\/uploads\/2016\/06\/cropped-logo-rond-noir.jpg?fit=512%2C512","width":512,"height":512,"caption":"exPosition"},"image":{"@id":"https:\/\/www.revue-exposition.com\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/www.revue-exposition.com\/#\/schema\/person\/8fafe6c191f1653d02ba2e39934a0ad5","name":"exPosition","url":"https:\/\/www.revue-exposition.com\/index.php\/author\/helcar"}]}},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7FaMB-wr","_links":{"self":[{"href":"https:\/\/www.revue-exposition.com\/index.php\/wp-json\/wp\/v2\/posts\/2011","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revue-exposition.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revue-exposition.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revue-exposition.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revue-exposition.com\/index.php\/wp-json\/wp\/v2\/comments?post=2011"}],"version-history":[{"count":18,"href":"https:\/\/www.revue-exposition.com\/index.php\/wp-json\/wp\/v2\/posts\/2011\/revisions"}],"predecessor-version":[{"id":2352,"href":"https:\/\/www.revue-exposition.com\/index.php\/wp-json\/wp\/v2\/posts\/2011\/revisions\/2352"}],"wp:attachment":[{"href":"https:\/\/www.revue-exposition.com\/index.php\/wp-json\/wp\/v2\/media?parent=2011"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revue-exposition.com\/index.php\/wp-json\/wp\/v2\/categories?post=2011"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revue-exposition.com\/index.php\/wp-json\/wp\/v2\/tags?post=2011"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}