{"id":2482,"date":"2022-12-08T10:17:32","date_gmt":"2022-12-08T09:17:32","guid":{"rendered":"https:\/\/www.revue-exposition.com\/?p=2482"},"modified":"2022-12-12T14:42:29","modified_gmt":"2022-12-12T13:42:29","slug":"2022","status":"publish","type":"post","link":"https:\/\/www.revue-exposition.com\/index.php\/sommaire-7\/2022\/%20","title":{"rendered":"7\/2022 – L’exposition de collections priv\u00e9es dans les institutions publiques"},"content":{"rendered":"

Introduction<\/strong><\/p>\n

– Alice Ensabella, Du priv\u00e9 au public<\/a><\/p>\n

 <\/p>\n

L\u2019exposition de collections priv\u00e9es dans les institutions publiques (dossier dirig\u00e9 par Alice Ensabella)
\n<\/span><\/b><\/p>\n

– Kathryn Brown, Les arts de l’in\u00e9galit\u00e9. Le pouvoir du collectionneur dans le domaine culturel et les risques du client\u00e9lisme<\/a><\/p>\n

– Morgan Labar, La mise en visibilit\u00e9 de la collection Dakis Joannou : un enjeu pour l’\u00e9criture de l’histoire de l’art contemporain globalis\u00e9<\/a><\/p>\n

– Gwendoline Corthier-Hardoin, La visibilit\u00e9 des expositions de collections priv\u00e9es en France. Entre strat\u00e9gie de rayonnement, de programmation et de d\u00e9classification<\/a><\/p>\n

– Veronica Locatelli, De la villa urbaine \u00e0 la maison-mus\u00e9e : la Collezione Boschi Di Stefano de Milan<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Introduction – Alice Ensabella, Du priv\u00e9 au public   L\u2019exposition de collections priv\u00e9es dans les institutions publiques (dossier dirig\u00e9 par Alice Ensabella) – Kathryn Brown, Les arts de l’in\u00e9galit\u00e9. Le pouvoir du collectionneur dans le domaine culturel et les risques du client\u00e9lisme – Morgan Labar, La mise en visibilit\u00e9 de la collection Dakis Joannou : … Continuer la lecture de « 7\/2022 – L’exposition de collections priv\u00e9es dans les institutions publiques »<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[335],"tags":[34,336,146,346,337,355,356,77],"class_list":["post-2482","post","type-post","status-publish","format-standard","hentry","category-sommaire-7","tag-collections","tag-collections-privees","tag-expositions","tag-institutions-publiques","tag-musees","tag-prive","tag-public","tag-revue-exposition"],"yoast_head":"\n7\/2022 - 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