{"id":3307,"date":"2025-06-02T14:55:04","date_gmt":"2025-06-02T13:55:04","guid":{"rendered":"https:\/\/www.revue-exposition.com\/?p=3307"},"modified":"2025-06-16T16:01:53","modified_gmt":"2025-06-16T15:01:53","slug":"2025","status":"publish","type":"post","link":"https:\/\/www.revue-exposition.com\/index.php\/sommaire-10\/2025\/%20","title":{"rendered":"10\/2025 &#8211; Histoire des espaces de l\u2019exposition : ce que disent les vues d\u2019expositions archiv\u00e9es"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><strong>Num\u00e9ro dirig\u00e9 par Roula Matar<\/strong><\/p>\n<p style=\"text-align: justify;\">&#8211; Roula Matar,<a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles10\/matar-introduction\"> Introduction<\/a><\/p>\n<p style=\"text-align: justify;\">&#8211; Wesley Meuris, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles10\/meuris-documentation-archives\">Documentation relative \u00e0 la m\u00e9thode de travail \u2013 Extrait des archives<\/a><\/p>\n<p style=\"text-align: justify;\">&#8211; Simon Starling, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles10\/starling-dessous-drap-visee\">De dessous un drap de vis\u00e9e<\/a>, suivi d&rsquo;un entretien men\u00e9 par Roula Matar<\/p>\n<p style=\"text-align: justify;\">&#8211; Marie Fraser, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles10\/fraser-museologie-enquete-responsive-eye\">Mus\u00e9ologie d\u2019enqu\u00eate : <em>The Responsive Eye <\/em>et la circulation des expositions durant la Guerre froide (1950-1965)<\/a><\/p>\n<p style=\"text-align: justify;\">&#8211; Inge Meijer, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles10\/meijer-plant-collection-2019-2024\">\u00c0 propos des deux ouvrages d&rsquo;Inge Meijer <em>The Plant Collection <\/em>(Roma publications, Amsterdam, 2019) et<em> The MoMA Plant Collection <\/em>(Roma publications, Amsterdam, 2024)<\/a>. Un entretien men\u00e9 par Roula Matar<\/p>\n<p style=\"text-align: justify;\">&#8211; Pascal Riviale, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles10\/riviale-museographie-scenographie-mnatp\">La mus\u00e9ographie et la sc\u00e9nographie d\u2019expositions au mus\u00e9e national des Arts et Traditions populaires au travers des archives conserv\u00e9es aux Archives nationales<\/a><\/p>\n<p style=\"text-align: justify;\">&#8211; Tatiana Trouv\u00e9,<a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles10\/trouve-atlas-desorientation-pompidou-paris-2022\"> \u00c0 propos de l\u2019exposition <em>Tatiana Trouv\u00e9 &#8211; Le grand atlas de la d\u00e9sorientation (<\/em>Centre Pompidou, Paris, 2022)<\/a>. Un entretien men\u00e9 par Roula Matar<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Num\u00e9ro dirig\u00e9 par Roula Matar &#8211; Roula Matar, Introduction &#8211; Wesley Meuris, Documentation relative \u00e0 la m\u00e9thode de travail \u2013 Extrait des archives &#8211; Simon Starling, De dessous un drap de vis\u00e9e, suivi d&rsquo;un entretien men\u00e9 par Roula Matar &#8211; Marie Fraser, Mus\u00e9ologie d\u2019enqu\u00eate : The Responsive Eye et la circulation des expositions durant &hellip; <a href=\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-10\/2025\/%20\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;10\/2025 &#8211; Histoire des espaces de l\u2019exposition : ce que disent les vues d\u2019expositions archiv\u00e9es&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[449],"tags":[444,451,33,231,404,354,450],"class_list":["post-3307","post","type-post","status-publish","format-standard","hentry","category-sommaire-10","tag-archives","tag-espaces-dexpositions","tag-exposition","tag-histoire-des-expositions","tag-introduction","tag-photographie","tag-vues-dexpositions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>10\/2025 - Histoire des espaces de l\u2019exposition : ce que disent les vues d\u2019expositions archiv\u00e9es - exPosition<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-10\/2025\/%20\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"10\/2025 - Histoire des espaces de l\u2019exposition : ce que disent les vues d\u2019expositions archiv\u00e9es - exPosition\" \/>\n<meta property=\"og:description\" content=\"&nbsp; 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