{"id":3832,"date":"2026-09-17T16:29:02","date_gmt":"2026-09-17T15:29:02","guid":{"rendered":"https:\/\/www.revue-exposition.com\/?p=3832"},"modified":"2026-10-02T16:11:53","modified_gmt":"2026-10-02T15:11:53","slug":"2026","status":"publish","type":"post","link":"https:\/\/www.revue-exposition.com\/index.php\/sommaire-12\/2026\/%20","title":{"rendered":"12 \/ 2026 &#8211; Genre et sexualit\u00e9 dans les expositions des collections mus\u00e9ales &#8211; Varia"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><strong>Genre et sexualit\u00e9 dans les expositions des collections mus\u00e9ales<\/strong><\/p>\n<p style=\"text-align: justify;\"><em>Ce num\u00e9ro de la revue exPosition est produit en collaboration avec le Groupe de recherche et de r\u00e9flexion <a href=\"https:\/\/cieco.co\/fr\">CI\u00c9CO<\/a>, dans le cadre du\u00a0Partenariat \u00ab\u00a0Des nouveaux usages des collections dans les mus\u00e9es d\u2019art\u00a0\u00bb\u00a0(CRSH 2021-2028). Il est <strong>dirig\u00e9 par Quentin Petit Dit Duhal,<\/strong> qui a b\u00e9n\u00e9fici\u00e9 d\u2019un stage de recherche postdoctorale financ\u00e9 par le Partenariat et r\u00e9alis\u00e9 \u00e0 l\u2019universit\u00e9 du Qu\u00e9bec en Outaouais en 2025.<\/em><\/p>\n<p style=\"text-align: justify;\">&#8211; Quentin Petit Dit Duhal, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles12\/petit-dit-duhal-introduction\">Genre et sexualit\u00e9 au mus\u00e9e : discours, dispositifs, archives <strong>\u2013<\/strong> Introduction<\/a><\/p>\n<p style=\"text-align: justify;\">&#8211; Abel Delattre, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles12\/delattre-artistes-femmes-queer-musee\">Des artistes femmes queer au mus\u00e9e\u00a0: les cas de Romaine Brooks et Marie Laurencin au mus\u00e9e national d\u2019Art moderne<\/a><\/p>\n<p style=\"text-align: justify;\">&#8211; Tania L\u00e9vy,\u00a0 <a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles12\/kervran-levy-rouxel-queer-artiste-musee-entretien\"><em>Queer<\/em> et artiste au mus\u00e9e. Entretien crois\u00e9 entre Sophie Kervran et Damien Rouxel<\/a><\/p>\n<p style=\"text-align: justify;\">&#8211; Alaeddine Maamer, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles12\/maamer-temoignage-queer-desobeissance-museale\">Ni preuve, ni archive : le t\u00e9moignage queer comme d\u00e9sob\u00e9issance mus\u00e9ale<\/a><\/p>\n<p style=\"text-align: justify;\">&#8211; Sophia Sabl\u00e9, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles12\/sable-archivo-queer\">\u00bfArchivo queer?\u00a0M\u00e9moires et regard queer dans les pratiques mus\u00e9ales espagnoles et argentines<\/a><\/p>\n<p style=\"text-align: justify;\">&#8211; Beno\u00eet Prieur, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles12\/prieur-dustan\">Dustan au seuil du mus\u00e9e : m\u00e9moire homosexuelle et refus d\u2019archive \u00e0 la fin des ann\u00e9es 1990<\/a><\/p>\n<p style=\"text-align: justify;\">&#8211; Fr\u00e9d\u00e9ric Herbin, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles12\/herbin-preciado-emmetrop\">Dis.positif IM\/MUNE, l\u2019exposition de Paul B. Preciado et Emmetrop : penser les formes curatoriales \u00e0 partir d\u2019une \u00ab micro-institution \u00bb queer<\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><strong>Varia<\/strong><\/p>\n<p>&#8211; Camille Debrabant, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles12\/debrabant-marrade\"><em>La marrade <\/em>(Dunkerque, 2025-2026), histoire d\u2019une riposte f\u00e9ministe pleine d\u2019humour<\/a><\/p>\n<p style=\"text-align: justify;\">&#8211; Michela Sacchetto, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles12\/sacchetto-obscenes-machines\">Les obsc\u00e8nes \u00ab\u00a0Machines \u00e0 faire l\u2019amour\u00a0\u00bb<\/a><\/p>\n<p style=\"text-align: justify;\">&#8211; Hanna Thevenet, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles12\/thevenet-exposition-ecologique-vivante\">L\u2019Exposition \u00e9cologique vivante : art et transition \u00e9cologique \u00e0 l\u2019\u00e8re du Capitaloc\u00e8ne<\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><strong>Compte-rendu de lecture<\/strong><\/p>\n<p style=\"text-align: justify;\">&#8211; Marine Rochard, <a href=\"https:\/\/www.revue-exposition.com\/index.php\/articles12\/rochard-recension-bawin-curating\">\u00c0 propos de l&rsquo;ouvrage de Julie Bawin, <em>De quoi le curating est-il le nom ? M\u00e9tamorphoses d\u2019une pratique dans le champ de l\u2019exposition<\/em>, Bruxelles, La lettre vol\u00e9e, 2025<\/a><\/p>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Genre et sexualit\u00e9 dans les expositions des collections mus\u00e9ales Ce num\u00e9ro de la revue exPosition est produit en collaboration avec le Groupe de recherche et de r\u00e9flexion CI\u00c9CO, dans le cadre du\u00a0Partenariat \u00ab\u00a0Des nouveaux usages des collections dans les mus\u00e9es d\u2019art\u00a0\u00bb\u00a0(CRSH 2021-2028). Il est dirig\u00e9 par Quentin Petit Dit Duhal, qui a b\u00e9n\u00e9fici\u00e9 d\u2019un &hellip; <a href=\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-12\/2026\/%20\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;12 \/ 2026 &#8211; Genre et sexualit\u00e9 dans les expositions des collections mus\u00e9ales &#8211; Varia&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[606],"tags":[104,33,569,43,570,211],"class_list":["post-3832","post","type-post","status-publish","format-standard","hentry","category-sommaire-12","tag-collection","tag-exposition","tag-genre","tag-musee","tag-sexualite","tag-sommaire"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>12 \/ 2026 - Genre et sexualit\u00e9 dans les expositions des collections mus\u00e9ales - Varia - exPosition<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revue-exposition.com\/index.php\/sommaire-12\/2026\/%20\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"12 \/ 2026 - Genre et sexualit\u00e9 dans les expositions des collections mus\u00e9ales - Varia - exPosition\" \/>\n<meta property=\"og:description\" content=\"&nbsp; Genre et sexualit\u00e9 dans les expositions des collections mus\u00e9ales Ce num\u00e9ro de la revue exPosition est produit en collaboration avec le Groupe de recherche et de r\u00e9flexion CI\u00c9CO, dans le cadre du\u00a0Partenariat \u00ab\u00a0Des nouveaux usages des collections dans les mus\u00e9es d\u2019art\u00a0\u00bb\u00a0(CRSH 2021-2028). 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