{"id":982,"date":"2017-09-25T14:24:36","date_gmt":"2017-09-25T13:24:36","guid":{"rendered":"http:\/\/www.revue-exposition.com\/?p=982"},"modified":"2022-12-12T13:48:25","modified_gmt":"2022-12-12T12:48:25","slug":"2017","status":"publish","type":"post","link":"https:\/\/www.revue-exposition.com\/index.php\/sommaire-3\/2017\/%20","title":{"rendered":"3\/2017 \u2013 Le peintre et l’accrochage de son \u0153uvre \u2013 Varia"},"content":{"rendered":"

Introduction
\n<\/strong><\/p>\n

\u2013 H\u00e9l\u00e8ne Trespeuch, Quelques r\u00e9flexions autour du White Cube<\/em> de Brian O\u2019Doherty<\/a><\/p>\n

Le peintre et l’accrochage de son \u0153uvre (dossier dirig\u00e9 par H\u00e9l\u00e8ne Trespeuch)<\/strong><\/p>\n

\u2013 F\u00e9licie Faizand de Maupeou, Un geste artistique in\u00e9dit : la mise en exposition des Nymph\u00e9as<\/em> de Monet \u00e0 l\u2019Orangerie des Tuileries<\/a><\/p>\n

\u2013 Gwenn Gayet-Kerguiduff, Th\u00e9ophile-Louis Deyrolle (1844-1923), peintre breton des ensembles d\u00e9coratifs de Kerazan, \u00e0 Loctudy (Finist\u00e8re)<\/a><\/p>\n

\u2013 Claire Salles, Le polyptyque 60-T-45<\/em> de Martin Barr\u00e9 : convoquer le mur d’accrochage pour d\u00e9voyer le sujet<\/a><\/p>\n

Varia<\/strong><\/p>\n

\u2013 H\u00e9l\u00e8ne Chanc\u00e9, L\u2019art du savoir. Manuscrits m\u00e9di\u00e9vaux de Clairvaux \u00e0 Montpellier <\/em>(Biblioth\u00e8que universitaire de m\u00e9decine, Montpellier, 2015)<\/a><\/p>\n

– H\u00e9l\u00e8ne Trespeuch, Jeff Koons<\/em> (Centre Pompidou, Paris, 2014-15) : une r\u00e9trospective amn\u00e9sique<\/a>
\n<\/em><\/p>\n

\u2013 Marie Vicet, Quelle place pour le clip vid\u00e9o au mus\u00e9e\u00a0? De sa reconnaissance mus\u00e9ale \u00e0 sa remise en question, \u00e0 travers trois expositions fran\u00e7aises (1985-2007)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Introduction \u2013 H\u00e9l\u00e8ne Trespeuch, Quelques r\u00e9flexions autour du White Cube de Brian O\u2019Doherty Le peintre et l’accrochage de son \u0153uvre (dossier dirig\u00e9 par H\u00e9l\u00e8ne Trespeuch) \u2013 F\u00e9licie Faizand de Maupeou, Un geste artistique in\u00e9dit : la mise en exposition des Nymph\u00e9as de Monet \u00e0 l\u2019Orangerie des Tuileries \u2013 Gwenn Gayet-Kerguiduff, Th\u00e9ophile-Louis Deyrolle (1844-1923), peintre breton … Continuer la lecture de « 3\/2017 \u2013 Le peintre et l’accrochage de son \u0153uvre \u2013 Varia »<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[100],"tags":[84,33,102,83,77],"class_list":["post-982","post","type-post","status-publish","format-standard","hentry","category-sommaire-3","tag-accrochage","tag-exposition","tag-peintre","tag-peinture","tag-revue-exposition"],"yoast_head":"\n3\/2017 \u2013 Le peintre et l'accrochage de son \u0153uvre \u2013 Varia - 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